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0 Barong Dance - Balinese Mythology

In Balinese mythology, the good spirit is identified as Banas Pati Raja. Banas Pati Raja is the fourth "brother" or spirit child that accompanies a child throughout their life, which is a similar concept to guardian angels. Banas Pati Raja is the spirit which animates Barong. A protector spirit, he is often represented as a lion. The Barong is often portrayed accompanied by two monkeys. Barong is portrayed as a lion with red head, covered in white thick fur, and wearing gilded jewelry adorned with pieces of mirrors. The shape of lion Barong is somewhat similar to a Pekingese dog.

Calon Arang


Barong, a mythical lion-like creature
On the other hand, Rangda is Barong's opposite. While Barong represent good, Rangda represent evil. Rangda is known as a demon queen, the incarnation of Calon Arang, the legendary witch that wrecking havoc in ancient Java during the reign of Airlangga in 10th century. It is said that Calon Arang was a widow, powerful in black magic, who often damaged farmer's crops and caused disease to come. She had a girl, named Ratna Manggali, who, though beautiful, could not get a husband because people were afraid of her mother. Because of the difficulties faced by her daughter, Calon Arang was angry and she intended to take revenge by kidnapping a young girl. She brought the girl to a temple to be sacrificed to the goddess Durga. The next day, a great flood engulfed the village and many people died. Disease also appeared.
King Airlangga, who had heard of this matter, then asked for his advisor, Empu Bharada, to deal with this problem. Empu Bharada then sent his disciple, Empu Bahula, to be married to Ratna. Both were married with a huge feast that lasted seven days and seven nights, and the situation returned to normal. Calon Arang had a book that contained magic incantations. One day, this book was found by Empu Bahula, who turned it over to Empu Bharada. As soon as Calon Arang knew that the book had been stolen, she became angry and decided to fight Empu Bharada. Without the help of Durga, Calon Arang was defeated. Since she was defeated, the village was safe from the threat of Calon Arang's black magic.

Rangda


Rangda and Barong
Another version holds that Rangda was actually linked to historical queen Mahendradatta or Gunapriyadharmapatni, a Javanese princess sister of Dharmawangsa of East Javanese Isyana Dynasty of late Medang Kingdom period. She was the queen consort of Balinese king Udayana and Airlangga's own mother. Mahendradatta is known for her devotion to the cult of Durga in Bali. The story goes that Mahendradatta, the mother of Airlangga, was condemned by Airlangga's father because she practiced black magic. After she became a widow (Rangda in old Javanese means: 'widow'), hurt and humiliated, she sought revenge upon her ex-husband's court and whole of his kingdom. She summoned all the evil spirits in the jungle, the leyaks and the demons that caused plague and death in the kingdom. Airlangga face his own mother to save the kingdom. A fight occurred, but she and her black magic troops were so powerful that Airlangga had to ask for the help of spirit king, Barong in order to defeat her. Barong came with Airlangga's soldiers, and the fight ensued. Rangda cast a spell that made Airlangga soldiers all want to kill themselves, pointing their poisoned keris into their own stomachs and chests. In response, Barong cast a spell which caused the soldiers body's to be resistant to the sharp keris. At the end, Barong won, and Rangda ran away.

Barong dance


Barong dance performance with kris-wielding dancers and Rangda in Bali
The lion is the popular one, as it comes from the Gianyar region, where Ubud (the home of tourist's Balinese dance ritual viewing) is located. Within the calon arang, the dance drama in which the Barong appears, the barong responds to Rangda's use of magic to control and kill her to restore balance. In traditional Barong dance performances, he is portrayed in his struggles against Rangda, it is the popular part of Balinese culture. The mythical creature would dance along the street to the calon arang dance. A priest would throw holy water at it.
  • The dance opens with two playful monkeys teasing Barong in a peaceful environment.
  • The next scene is popularly known as "Keris Dance". The Rangda character appears and wreaks havoc. She casts black magic upon male dancers, who represent Airlangga's soldiers, and orders them to commit suicide. In a trance, these men stab themself on their chest with their own kris. Meanwhile Barong and the priest cast protective magic on these men, which makes them invulnerable to sharp objects.
  • The dance ends with the final battle between Barong and Rangda, concluding with the victory of Barong over Rangda. Rangda runs away, the evil is defeated, and the celestial order is restored.

Barong is probably the most well known dance. It is also another story telling dance, narrating the fight between good and evil. This dance is the classic example of Balinese way of acting out mythology, resulting in myth and history being blended into one reality.
The story goes that Rangda, the mother of Erlangga, the King of Bali in the tenth century, was condemned by Erlangga's father because she practiced black magic. After she became a widow, she summoned all the evil spirits in the jungle, the leaks and the demons, to come after Erlangga. A fight occurred, but she and her black magic troops were too strong that Erlangga had to ask for the help of Barong. Barong came with Erlangga's soldiers, and fight ensued. Rangda casted a spell that made Erlangga soldiers all wanted to kill themselves, pointing their poisoned keris into their own stomachs and chests. Barong casted a spell that turned their body resistant to the sharp keris. At the end, Barong won, and Rangda ran away.
Somebody can die or get seriously injured in a Barong dance. It is said that if Rangda's spell is too strong, a weak soldier may not be able to resist it, even with the help of Barong. He may end up hurting himself with his own keris.
The masks of Barong and Rangda are considered sacred items, and before they are brought out, a priest must be present to offer blessings by sprinkling them with holy water taken from Mount Agung, and offerrings must be presented.

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